|
|
|
Sheila E. Murphy
Libretto of the Steel Guitar Cut Sea
Remember me to A___ when you connect. The spindly residue of majesty
eases northward flight mid-sentence when the ocean plants begin to
clog salt water past the point of ease. Seasons drift into the
catch-phrase of a harbor when we're seeking rungs of talk. A mystery
eclects its way to broth as if the gray were equal to a tripwire
surgically changed. A twang resists largesse of whispered branch times
tendril after take. How is it that the mental finishing resists next
breath and points to water. Once again, a lapping tone as if inhaling
and exhaling. A minute more and we awaken to another port, another
beach that brims as though impending celebration warranted a cause.
Practice makes sure. That weather makes a way to get along.Hitching points, when the wash is prequel to results, each salt
against the moisture a within
Loss of Privilege
Definite art(icle) in
Her presence
EvenAfter
She migrates
To higher locusQuiescence voici limber
Her aching
DanceLeft
Suspended in
Long still shotsAdorn her wall
Her eyes
SacrificeMirrors
On account
Of limited liabilityThe other dancers
Disappear routinely
RiveringTheir
Way toward
A stolid pastLiquefied in media
Res resemblive
OfDominion
The way
Mother used toNow I lay
Me down
WeepingVeritable
Faucet am
I reasoning withInner space the
Part left
OverOnce
I watched
Her not danceAnd ever after
Song resists
TemptationTo
Exist as
We suppose itOnce did under
Rumored duress
StuckAs
In quick-
Sand from thisInsistent viaduct approaching
A suspended
sadnessHere
Now On
Empty without her
Jazztronica and self-effacing labralock
Allow continuo to bask be basked in tundra light that is not there,
stares notwithstanding. The comatose endearment owns absorption anyone
inhales with stealth. Why not envy freehand while you're tapping into
cardinal sins? It's only Everest you're quitting, not the church and
not the field. These hands these eyes these ingenuities. Allow them to
be hitched to rosters oozing health and whipstitch often and
relapsing.
Copyright © Sheila E. Murphy