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                                        Sarah Pearlstein

 

All The Bulbous Accidents

 

Ingrid cuts onions like they’re from Saturn.

They turn into miniature rings, the core bitter

Broit mit pitter*, no, she eats onion bits

She likes the tang, like alien blood,

She broods about her yellowed fingers,

She is the flower of a pest of a sun;

It persists in shining into

The basement

 revealing sleep,

A dreamer’s nest.

Sleep is not dark, it is nothing like

the wounded moon

Either, it is Technicolor wonders about

Travel and Blue glass natural vases,

Held with green rope, swaying slowly

On the White terra cotta node of an

Obtrusive wall,

So delicate next to it,

African violets growing slowly

Within the cobalt bowl,

Or it is the nutrient sprinkled white

earth in that same bowl making

The flower grow,

And smells like all

It will grow,

Terrifying poor Ingrid

With all its’ useful ways.

She fears being planted,

Due to the bulbous accidents

Which are grown

So many layers down.

 

*Bread with butter in Yiddish.

 

 

Creak With Me

 

The dye has run out of me, and the rivers lies odd.  It is an industrial disaster, it is Maine ’s history.  Refugee from the city, and I don’t admit it

I admit calm in    mind anyways. 

 

 

You spoke of live love.   Unhappy when I meet you, I stuttered.

   The thing you hope most to escape is actually safety, the fear which keeps you from feeling starvation. 

Living with it is 60 hour weeks for you and alimony. 

Do you know the mania of 72 hour days?  

The perpetual day-time is like buoyant colour and enthusiasm is like a  low-grade fever in February, you just keep going till you burn at 104

but I can’t say that beauty

is only what is strange, what is different.

 

 

At the root of the gain is the giggle, (the willingness to not impart a message though is something told to normalize the everyday sacred)

 -  if we knew of the everyone who loved him

If we knew everyone who loved him, we would not work to know.

Abandon the words, and realize  

 

 

The mill town is like any other , the abandoned town is like any other.

These men are not my fathers.

Creak with it, though, and remember 

Less los Alamos and morbid curiosity,

More of the Somali refugee,

And evidence of the indigenous in war-time minds.

Of Maine , in black and white, there is nothing but bars, and cars.

 

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Copyright © Sarah Pearlstein